Volume Wars: 5 Ways To Help Ease Worship Leader Frustrations

How Loud is too loud?

This is actually a very reasonable question in todays worship arena, especially when we fill our set lists with songs written for arenas.  Before I go much deeper I do want to say that not every worship leader will deal with these issues, and thats ok.  I have worked at both a louder church (Current position) and a quieter church, and in both positions I received just about the same amount of complaints.  There is nothing like someone coming up to you after a great service with the sole intent of telling you, the worship leader, the music is too loud.  With that being said, I thought it was a topic worthy for a post.  Us worship leaders will always want it just a little bit louder than everyone else really is comfortable with, the idea is to find that sweet balance called the “compromise level”.  This topic might even seem a little taboo, but its good to always embrace these sorts of topics because frankly its an issue many of us deal with and get frustrated with.  Here are 5 ways to help ease any frustrations that may be welling up inside of you young worship leaders.


 

1.  Make sure Vision is clear

From the top down and all around.  Vision is key.  Make sure the leadership has clear vision for the worship experience, and that their vision is also communicated through you to your teams, sound guys, producers and other key staff members.  What is vision?  Vision is the direction the church is heading and what the long term and short term goals are that the leadership has agreed upon.  As the worship leader it can be easy for others to just view us as the “music guy” or the “band leader” but in fact we have such a pivotal role in the church, and we can either cripple or amplify that vision.  There are so many walls and disconnects that simple communication will fix.  The lead pastor has to be on board with what you, the worship leader, are doing and you have to be on board with the vision that the authority over you has set.  When it doesn’t line up frustration will spring up like a well.  Every sunday have open conversations with key leadership about the vision for the worship experience, because nothing will hurt the situation more than if your supervisors do not trust you or your judgements.


 

2.  Proper Line Check

This one is SO important.  Every morning take at least 15 to 20 minutes to line check all instruments and microphones on stage.  Also if you can, stand out in the center of the auditorium or by the sound board and listen while your musicians line check individually.  Start with each drum, listen, have open communication with your sound engineer, do the same for bass, keys and then guitars and on.  Try and get the band to play a song at full volume and stand out where guests will be so you can know exactly what the people will be hearing, perhaps even sing from that point if you have a wireless mic.  Sometimes something actually is genuinely too loud or in most cases something is just poorly mixed and EQ’ed.  Guitars with too much high mids or vocals that get too harsh with treble can quickly irritate guests ears and make them think it is too loud when in fact its a poor mix or a few things need to be tweaked.


 

3.  Get A Decibel Meter

An easy way to create consistency each week is to agree upon a Decibel range for the volume in the Auditorium or sanctuary.  In my church we average around 95 Db and peak at around 97/98, which is loud for a lot of people.  To put that in perspective, you can’t really hold a conversation very well at that volume.   For us it works because we have set clear vision that we run the volume a little higher and the lights a little brighter than in most churches.  We also aim for a younger demographic, but that is just who we are and it wouldn’t work for every church.  You might find that 80 is the sweet spot or even 90, experiment and you will find the right range for your community.  Measuring it each week with your sound engineer will help create a consistent experience week to week and also ease the transition between separate sound guys.  It is also easy to tell people that you “run sound levels around 85 Db and we were right on target today” when the complainers come.  Also if one sound guy mixes it softer; for example if the Db reads 72 and you want an average of 80.  You can clearly show him and ask him to boost it a little.  (We worship leaders love telling sound guys to turn it up)


 

4.  Relationship First; Sound Second

The relationship between sound engineer and worship leader is fragile, so be sure to protect it with all the energy you’ve got.  I always check in with my engineer and include him on my weekly emails to my band.  I make sure that our relationship is solid before we start work.  The truth is that the sound guy essentially should be creating an atmosphere that you, the worship leader, desire.  He is an extension of you and you need him to be right there with you supporting your vision.  I have had awkward moments with sound guys, and I admit as I continue to grow and learn, I never always handled them properly.  You must establish the relationship first and then establish your expectations second.  Let him know any and all things you will be doing before you do them.  Tell him you want to line check each instrument and that you will be listening with him so you can hear what the audience will hear.  Let him know if you want more keys or more kick and your reason why, instead of just commanding him in the middle of a song.  Relationship first.


 

5.  You Can’t Please ‘Em All

You have to accept that not everyone will be happy with your leading style, with the volume of the drums, with the style of the preaching or even the way the stage looks.  You can’t make everyone happy.  You just can’t.  One time I had a congregation member come up to me and complain about decorative light bulbs we had put up, he said they gave him a headache and instructed I take them down immediately.  I have even had staff members of one church I worked at come up to me and flat out tell me they didn’t like the style I lead worship in.  That, of course, wasn’t consistent with a healthy church staff environment, but the point is that not everyone will be happy.  The good news is there is a home for everyone.  If you run low volumes and do lots of hymns, maybe a young newly married couple looking for something to bring unsaved friends to won’t be a good fit.  On the other hand, if you play louder music with busy lights and energetic stage presence maybe a visiting couple who have only ever been to small quiet methodist churches will most definitely feel uncomfortable and possibly not return .  Commit to the vision of your church and don’t compromise that vision for the ones who complain.  Once you understand that you will never please everyone, that burden of trying to please them will vanish.

8 thoughts on “Volume Wars: 5 Ways To Help Ease Worship Leader Frustrations

  1. Pingback: Five Ways To Address Volume Problems | Worship Links

  2. Pingback: 5 Ways To Help Ease Worship Volume Wars | WorshipIdeas.com

    • Hey George, thanks for your comment! 85 db can cause hearing loss after 7 or 8 hours of prolonged exposer, where our band and most bands play for 15 minutes. It is also good to note that we also only actually peak to that level for a brief period of time since not ever song is a crescendo the entire length. I understand your point of view and that is also why we (and every church should) have bowls of earplugs in our foyer as people walk in if they so choose. You would be surprised how 85 Db doesn’t even sound that loud as a band, if you have 6 to 8 people on stage in front of a crowd of 600 or more it would be tough to pick out some of the instruments especially if everyone is singing along with them. 85 db is like listening to traffic from inside your car. Anyway, thanks again. Be blessed George!

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  3. The National Association for Hearing and Speech Action (NAHSA) also reports that exposure to 85 dB
    or more for any length of time is potentially dangerous (Klein, 1992). As someone who has lost most of his high range hearing in both ears and is struggling with paying over $6000 for hearing aids I’m probably a bit more ‘sensitive’ to this issue than others. Seems to me having ‘bowl fulls of earplugs’ is part of the problem not the solution. BTW I regularly attend contemporary worship, but the leader works to keep things under 85db.

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  4. Hi team! At our church we have a new fresh team with limited foldbacks and sound equipment, plus only three instruments – and electric guitar by me has only been introduced just this year! I’ve literally only played about 6 times in their new building – and one thing we’ve already discussed in depth with our sound guys is “loudness” We had a visiting worship pastor called Ted Evans (Brother of Russel Evans of Planetshakers Melbourne) visit our team and do a two day workshop with us, and he wanted the sound LOUD when we started playing as a team for the first time. It’s like our energy was high, our spirits were soaring and we were all excited about a new sound for this new church with new instruments – but the volume only stayed “loud” for one service… gradually as time went on we’ve become quieter, with emphasis on reflection and worshipful songs because I’ve not been playing electric due to having a 4th child – so things since that workshop only months ago have changed. We only have acoustic and piano as instruments, with one more piano payer joining the team in the next month or so – and then things will probably change again. My opinion has always been that slightly “loud” worship and praise in a band makes the whole thing feel more alive and energetic, and since our church ministers to mainly young families that it’s appropriate to have louder songs than at home with headphones. Everything’s at a good level where I cannot “hear” my picking on the guitar and the drums don’t have to restrain just to be able to hear the other instruments. This has changed, though, in the last few weeks with there being no drummer, so my style and focus on acoustic has had to change to accommodate. It’s all about adjusting to levels as more musicians enter the band. With piano, drums and electric we can push the levels more to match the drums. With piano and acoustic we can focus the sound on the two instruments and let them do the talking with picking volume more than sheer level.

    It’s VERY interesting the amount of times I’ve had people ask me to turn my amp down (from 2 to 1) on a Fender Frontman 45 watt amp in my old church – purely because it was facing the congregation. Each new addition to a band or new piece of equipment needs re-mixing in the sound mix from scratch.

    Love the post! Keep it up! God bless!

    Luke S. Goddard

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